How Daniel Duell Passes Along Balanchine’s Lessons on Musicality
During his 15 years dancing for New York City Ballet—including 10 under George Balanchine himself—plus three years training with master teacher Stanley Williams at the School of American Ballet, Daniel Duell internalized a very specific approach to musicality. “A central part of what I believe makes dancers appear musical is clarity of rhythm,” says Duell, […]