Before joining the ensemble of Natasha, Pierre & The Great Comet of 1812, Broadway dancer Mary Page Nance learned how to take her dancing to the next level from Pam Turner at Richmond Dance Center. “She just had this energy that was infectious. She was always pushing me to travel more, take up more space […]
Sam Pinkleton has found a niche as a Broadway choreographer of plays and even musicals that feel, ironically, largely absent of dance. His gifts are subtlety and authenticity, as he carefully folds in movement so natural and organic the audience might not even realize they’re witnessing choreography. In fact, when working on a new project, […]
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