CURRENT ISSUE
March 2010

Full Table of Contents
Click here to read our January 2009 cover story "The Pioneers: Inside ABT's New Training Program"
Online-only features
- Lynn Simonson leads a tendu exercise, emphasizing proper pelvic alignment
- Math Dance performance excerpts by Dr. Schaffer and Mr. Stern
- Ballet class with Elizabeth Parkinson at FineLine Theatre Arts
- Marni Thomas teaches Graham contractions
- Ballet class with Summer Lee Rhatigan, director of San Francisco Conservatory of Dance
- Tony Stevens demonstrates jazzy plies
- Mandy Moore's choreography in "Fashion Forward" at the 2009 DT Summit
- Video of Mandy Moore choreographing "Fashion Forward" at the 2009 DT Summit
- DT interviews Kim McSwain about her inspirational life
- Behind-the-scenes interview with Shane Sparks!
- Salsa with Cheryl Burke; a behind-the-scenes look at our October cover shoot!
- Interview with Cheryl Burke
- Dance at University of Michigan in the 1920s, and photos from their recent centennial celebration
- Modern Class with Carolyn Adams and ADF Honors Carolyn Adams, Ruth Andrien and Sharon Kinney
- Aerial Dance: two videos from Nancy Smith's "Frequent Flyer Productions"
- Ballet Class at Juilliard with Lawrence Rhodes
- Tech Rehearsal with Tap City Youth Ensemble
- Inside the NYU/ABT MA program with guest blogger Hannah G.
- Healthy Feet Exercises for Tappers
- Thinking on Their Feet preview
- View youngARTS slideshow
- Behind the Scenes with Urban Bush Women
- On Set with Tyce Diorio
- Behind the Scenes with ABT's Raymond Lukens, Rachel Moore and Franco De Vita
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Esplanade for a New Era
by Jenny Dalzell
Students of The Ailey School gave a superb dance performance the evening of January 12 to a packed house at The Ailey Citigroup Theater in New York City. Dancers from the Professional Performing Arts School, the Junior Division, Professional Division and Ailey/Fordham B.F.A programs all showed their love of performing, but the Ailey/Fordham freshmen who performed in exceprts of Takehiro Ueyama’s 2008 piece, Linked, caught my eyes in particular. Dancers in this piece exhibited an unequaled amount of stamina and a passion for movement that was extremely evident and infectious.
Roughly 15 minutes of running, jumping, falling, turning, running and more jumping, the excerpt of Ueyama’s piece was a perfect fit for fresh talent, ready to leap into the vast world of dance. With dancers clad in jeans, tees and tanks, the lighthearted and joyous mood of the piece—reminiscent of Paul Taylor’s Esplanade (1975)—seemed to celebrate humanity and new beginnings. It was wonderful to see the students smile and interact with one another on stage; and in return, most members of the audience were smiling back. It’s clear why Ueyama’s master classes in New York City this week are apparently full—the unbounded and expansive movements just looked fun. I hope the dancers bring this much energy to their daily classes, every performance and exam—their work in Linked proved that they have the potential to be unstoppable.



