CURRENT ISSUE
March 2010

Full Table of Contents
Click here to read our January 2009 cover story "The Pioneers: Inside ABT's New Training Program"
Online-only features
- Lynn Simonson leads a tendu exercise, emphasizing proper pelvic alignment
- Math Dance performance excerpts by Dr. Schaffer and Mr. Stern
- Ballet class with Elizabeth Parkinson at FineLine Theatre Arts
- Marni Thomas teaches Graham contractions
- Ballet class with Summer Lee Rhatigan, director of San Francisco Conservatory of Dance
- Tony Stevens demonstrates jazzy plies
- Mandy Moore's choreography in "Fashion Forward" at the 2009 DT Summit
- Video of Mandy Moore choreographing "Fashion Forward" at the 2009 DT Summit
- DT interviews Kim McSwain about her inspirational life
- Behind-the-scenes interview with Shane Sparks!
- Salsa with Cheryl Burke; a behind-the-scenes look at our October cover shoot!
- Interview with Cheryl Burke
- Dance at University of Michigan in the 1920s, and photos from their recent centennial celebration
- Modern Class with Carolyn Adams and ADF Honors Carolyn Adams, Ruth Andrien and Sharon Kinney
- Aerial Dance: two videos from Nancy Smith's "Frequent Flyer Productions"
- Ballet Class at Juilliard with Lawrence Rhodes
- Tech Rehearsal with Tap City Youth Ensemble
- Inside the NYU/ABT MA program with guest blogger Hannah G.
- Healthy Feet Exercises for Tappers
- Thinking on Their Feet preview
- View youngARTS slideshow
- Behind the Scenes with Urban Bush Women
- On Set with Tyce Diorio
- Behind the Scenes with ABT's Raymond Lukens, Rachel Moore and Franco De Vita
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“Jack” the Ripper is Frighteningly Close: Does This Ballet Go Too Far?
by Rachel Zar
Grand Rapid Ballet Company’s new production “Jack” the Ripper opens this weekend in Michigan at the DeVos Performance Hall amid mixed reactions from the public. The true story of the infamous London killer is certainly a tough one to convey through dance, and, as it turns out, also a controversial one. Yes, the story is dark, but is it too dark for the pink and pretty world of ballet?
While director and choreographer Gordon Pierce-Schmidt claims to have created the work to bring in younger audiences, he himself admits to not allowing his own young children to attend, calling the show PG-13.
His ballet version of the classic tale, set in 1988, features sparse sets, hard-hitting moves, and some very realistic looking death scenes. Photos released for press and publicity show women with their throats slit at the hands of sinister-looking men. This is graphic stuff!
Schmidt told Michigan’s On-the-Town Magazine, “There will be blood, there will be a fear factor. It will be a very tense hour and fifteen minutes.”
But the tension isn’t waiting for opening night. Victims of sexual assault have spoken out against the ballet saying that the subject matter is not only inappropriate, it’s disrespectful.
An unidentified woman on Fox 17’s news explains, “You can’t make something like that art and respect what really happened to people. You just can’t do it.”
Schmidt, on the other hand, says that respecting the victims is exactly what GRBC is trying to do, and that the ballet was designed as a tribute to them. Besides, can anyone really say what should and shouldn’t be performed? After all, we live in a world where censoring art generally causes greater upset than the controversial art itself.
This work, it seems, should at least come with a warning label. Audiences beware: This true story is portrayed in a very realistic way. It will be scary, it will be gory, and it will be adult. To me, it sounds like it will also be pretty spectacular. And if there were any time to do it, Halloween weekend is it. This will certainly be more exciting than a tired horror movie. Personally, I wish I were heading to Grand Rapids this weekend.
Performances are Oct. 30- Nov. 1. See www.grballet.com for more info.
photo by Andrew Terzes, courtesy of Grand Rapids Ballet Company.




